… for such lovely comments about the Dench sequence. I’ll endeavour to do the same again with future pictures. For those of who could see no difference between pictures 2 and 3, there were none: I have now removed the duplicate image. What a der-brain. Nearly left it in on purpose just to provide confusion.
Incidentally, my favourite comment was this:
“This picture shows so much talent, I’m truly impressed. But there’s a coldness to it, a barely perceptible but nevertheless evident sense of unkindness, disdain, superciliousness that I believe characterizes all of the artist’s work, both in visual art & in performance. This may be the sort of thing that will change with increasing age &, one hopes, wisdom.”
(update, few days later: too much may have been read into this quote inclusion by commenters… I included it because its haughty tone made me laugh, that was all. The irony in my statement may have been lost, a common problem of blogging)
Starting on May 10th, your blogger presents 3 documentaries on C4 under the title ‘Derren Brown Investigates’ (a title I’m slightly unconvinced by but I couldn’t think of a better one). In each, I spend time with someone making paranormal claims, observing their world, looking at the weight of evidence for and against.
There are three documentaries: one with a British psychic medium, another with a ghosthunter from the US, and a third concerns a Russian system of human development that claims to ‘cure’ blindness. Each has quite a different feel.
I have approached these documentaries quite openly: as a magician, and someone steeped in the world of the paranormal, I would love to find something that I can’t explain. I remember a friend at University showing me an apparent demonstration of ‘Chi’ that got me giggly and excited for (more…)
As some of you have asked, here is a sequence of images showing how ‘Grande Dame’ was painted. It’s still yet to get it photographed to best reflect the original, but when I do I’ll put it on derrenbrownart.com with prints for sale.
As ever, acrylics on canvas, this one 5 foot x 5 foot.
Derren Brown divides opinion. To some, he is the ultimate modern showman, adapting old fashioned music hall tricks for the digital age. He is one of the few personalities in contemporary broadcasting who creates water-cooler TV – remember the lottery numbers trick? And the Russian roulette? Had us going, didn’t it? To others, though, he is the devil incarnate.
On my way to meet him at Milton Keynes Theatre one early spring afternoon, nagging thoughts gnaw. Will I be strong enough to resist his mental powers? Will a touch of the elbow and a whispered word lead me to empty my bank account into his? Will I conduct the interview with my trousers on my head?
Upon meeting him, there is no protracted handshake, no disarming touch, no snap hypnosis and certainly no warm regards from Beelzebub.
Just a kind introduction, friendly conversation and a relaxed demeanour from a casually dressed, gently balding man as he gets ready to start his evening’s work. A disappointment? Not exactly. A relief? Most certainly. Although, a part of me thinks this could all be part of the act, that he’s sizing me up, ready to spring his trap with a click of the fingers.
Brown has been doing this for roughly 20 years. Still, it appears, he may be as nervous of his quarry as we are of him.“I’m acutely aware that the reasons you choose things like magic or hypnosis are often very ego-driven,” he states flatly and honestly.