Archive for the ‘DB Direct’ Category

Bristol

I arrived at Bristol to find a note in my dressing room from Dara O’Briain wishing me enjoyable shows with the bright and energetic crowds of Bristol. And he was very right in his description. Bristol is famously a great house to play: the roar when I came on stage was long and deafening, and audience and participants alike were fantastic. The first night it really took me by surprise and I hugely enjoyed myself. The second night, the adrenalin wasn’t there so much and I think I was a little under par, and then the third was good fun again.
We stayed in the wonderful Hotel Du Vin, which kicks the ass of any other hotel on tour. Impeccable.
Friday we went to the Zoo and had a great tour day out. Saturday was tea round at Peter Clifford’s, whom some of you will know from The Devil’s Picturebook and The Heist. Others of you may know my dear friend from his roles in the stunningly good Shakespeare at the Tobacco Factory seasons. They’re about to do The Tempest and Midsummer Night’s Dream in the gorgeous Tobacco Factory theatre where I got started, so do go along if you can. It was a wonderful stay in my beautiful University home.

We are now in Eastbourne. It’s a very different crowd, but the shows have been good so far. A good friend has come over from the States to see the show (and Andy’s Ghost Stories) and today we had a bloating pub lunch in the nearby village of Alfriston, which I may have spelt correctly. Our hotel is a stranger to wi-fi, so I have been slow on blog entries. I type this, as I tend to tweet, face down in a steamer sat in my dressing room.

Excitingly, I am trying out something new in the show. It’s a new ending to one of the pieces that felt like it needed it. It’s really enjoyable to let it settle in and make these sorts of changes. Keeps one on ones tootsies.

ta-ta
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Liverpool

Lovelies.

After the unwelcoming place near Buxton, it’s a joy to have stayed in the Malmaison on the Liverpool docks (‘malmaison’ = ‘bad house’, still don’t get that) where the staff could not be any more accommodating and delightful. I am assured by a friend who knows someone who knows someone that my particular room was once occupied by Amy Winehouse, which is very exciting. Have searched the room for any trace, but housekeeping have presumably done an excellent job in the meantime. Oh dear, we couldn’t be any less rock and roll as a touring troupe.

Liverpool has been immense fun. It’s a tricky room to play: the beautiful Empire auditorium is set far away from the stage, and sucks up most of the sound of the audience, so it takes a bit of acclimatising to realise that the audience are actually enjoying it. The tiny Buxton Opera House threw back much more noise at me. Having said that, the roar at the end of both shows here was quite something, and, if I may be so fat-headed, the spontaneous 2000-strong standing ovations looked just amazing from my perspective on the stage. So thank you Liverpool, you were spectacular. Some really touching gifts and letters from people, and a warmth and  loveliness at stage door which are hard to come by anywhere else in the country. (Having said that, the first night did bring one pissed guy up on stage in the first half, but for the brief time I kept him up there he was pretty funny).

I’ve noted that people are very kindly tweeting in the interval – please do your best not to give anything away that you’ve seen in the first half though, if you don’t mind. It’s lovely to meet so many of my Twitter followers after the show. On that subject, I hope you won’t mind me saying that it’s very hard to avoid offending a handful of Twitter followers to whom I can’t give the individual attention and dialogue they seem to need. It does take the fun out of using Twitter. I’d love to continue using it, as I do enjoy it most of the time, and I hope those few will take a deep breath and use Twitter in the casual spirit it’s best enjoyed in. Thank you all for the enthusiastic tweets after the shows – they make lovely reading and are very much appreciated. In particular I’m very grateful that you’re all good enough not to tweet any spoilers: the show is so much better when you don’t know what’s coming.

Tomorrow we’re off to Bristol, which feels like my spiritual home. To play the Hippodrome, where I queued so many nights as a student, alone, to watch touring opera companies… it’s such a delight. I shall be touring old haunts tomorrow and enjoying myself immensely.

I await my gorgeous crew for soup and booze, and then it’s an early start. I’ve just had a pizza that I should have probably avoided. And my ludicrously fancy suite has a bathtub in the front room – imagine that! To think that Amy probably sat in it, enjoying a glass of wine and watching telly.

Getting very tired. Ner-night, trust you’re all splendid.

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Buxton

Sat having a late breakfast at a brilliantly unaccommodating hotel near Buxton. Last night we arrived back after the show for our normal hotel drink and to enjoy a bit of left-over birthday cake, to be told that for health and safety reasons, we could not consume birthday cake downstairs as a group. Neither, for the same reasons, could we order sandwiches. The very stern lady at reception did, however, concede that she ‘understood the high’ that we were experiencing as ‘theatre types’. Fantastic.

Buxton last night was immense fun, and it’s always a beautiful place to explore. I visited Scriveners Bookshop, one of my touring highlights any year we pass this way, and then had weak twee tea in a little cafe, until I had to be at the Opera House. I was happy with the show, and at one point I found myself up in the balcony during the second half. A lovely group came with a coat for Coops made out of Roast Beef Monster Munch packets, which continue to be provided by audience members competing for the prize of who-brings-the-most for Coops and Iain. As ever, entries can be left at stage door, along with your contact details, before the show. Unsure if the coat consisted of the largest number of packets, but it was certainly the most impressive configuration.

One of the delights of a touring show such as this is the ability to introduce little shifts and changes. Last night we discussed a small change to something in the first half which will be immense fun to try out. Went to sleep and awoke considering possibilities.

Right – a tasty breakfast to mitigate the amusing unhelpfulness of last night. Must now do a phone interview to promote a couple of theatres for later in the run: Ipswich and Hull, I believe. Splendid.

Ta-ta,

D.

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Crawley, birthday

Wonderful steak lunch at Rowley’s in town and birthday treats followed by the loveliest gifts and more treats from the crew. Dressing room decked out with balloons etc, and some really touching prezzies. On top of that a zillion birthday wishes from Twitter. Lor’ Lu’mme. Best birthday ever. Rather sleepy though: wine and champagne and cake has me now dozing off into my steamer as I type.

One particularly impressive gift was this Derren Brown Enigma action figure, made by Jennie and Iain. Amazing! I do adore my group of friends. If it’s your birthday too, have a wonderful one.

Last night (Fri) was terrific: Thursday’s first half a little under-par mainly due to nervous volunteers. Which can’t be helped, and the second was much better. Tomorrow Buxton!

On the road again…

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On this day in history: Derren Brown born.

pastedgraphic

Derren Victor Brown (born 27 February 1971) is an English magician, mentalist, painter and self-professed sceptic regarding paranormal phenomena.

Your comments welcome.

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Crawling still

Got to Crawley rather early today, after having arrived perilously close to curtain-up the last couple of nights. This doesn’t feel like proper touring, as we’re home every night and not sitting around with flaccid sandwiches and hard licquor making each other cry with laughter after the shows. On the other hand, I’m painting in the days which, as Coops would say, is a ‘tasty treat item from Mummy’.
The shows have been the best yet. This may be helped by the fact that the theatre have a free-for-under-26s policy, which means the theatre’s joy at the sell-out dates must be mitigated by my demographic. I’m hoping there’s some government funding going on to cover them. The other night brought in a raucously delightful A’ Level group, and I believe I got their teacher up on stage, which must have caused great amusement. Interestingly, one little bit didn’t work too well with her: doubtless to do with a lingering self-consciousness that her wards were watching her and may even follow an irresponsible example. Fascinating. For me at least. Possibly just bewildering and disappointing for the thousand or so watching. (Please no spoilers…)

What could have been an underwhelming preview venue has turned out to be a real joy. Just three nights left and then we’re off to Buxton and the proper touring feeling will recommence. I have also been neglecting my book-editing for my paints: this will enjoyably resume too.

Somehow in between these things, I’m looking forward to gettig stuck into Sarah Bakewell’s enticing volume on Montaigne:

How to Live: A Life of Montaigne in One Question and Twenty Attempts at an Answer

and must spend time with Iain working on a new TV special idea: such pressures do not leave me, not even in Buxton.

Right, I must begin my regular pre-show rituals. It is time. They are as follows:

1. 15 minute throat steam into the Vicks Personal Steam Inhaler. Gets the old nodes lubricated. A hydrated throatingtons is a happy throatingtons.
2. 9 seconds of self-disgust at the amount of saliva I have produced during 1, and which now covers the base of the VPSI.
3. Change into first-half shirt.
4. Make-up. Jen doesn’t always get much time, so generally I apply the foundation while she does my hair. This we call ‘helping Mummy’.
4. Clean my teeth.
5. Get changed all proper-like.
6. 15 mins of vocal warm-ups. These would have you lolling out loud and rofling on the floor laughing if you heard them. However, through their ludicrous means, they ensure that a suitable stage-voice is in place for addressing so many of you for so long with the requisite amounts of volume clarity and energy. Occasionally ruined by munching on a chocolate biscuit.
7. Iain comes in to check I have everything I need for the show, and to let me check a certain set of photographs that have been taken for a certain routine in the show. I say they’re fine, and he takes them away.
8. I leave for the backstage area.
9. 5 mins of merry-making in the wings, dancing to own theme-tune with crew etc.
10. Walk onto stage, realising flies are undone.

Time now to begin. Expect a lot of dribble all round.
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Back again, Crawley

Crawley last night was much fun. After a mild concern that I might not remember all my words, I did indeed forget a few but enjoyed covering that up. Some minor tech issues for sound and lighting to sort for today, and tonight should be all super-duper.
A lovely little crowd at stage door made for a friendly end to the night. Crawley was the original preview venue, so it’s half the size of most of the theatres we’re playing, and hence this part was more personal than usual. Having said that, I’m likely to be rushing off quite quickly this week, as it’s a long journey back each night for us all. So do forgive me if I have to be quick. (Certainly tonight I must dash back to catch house guests before they leave, so please pardon if I scribble and run…)

Despite the smaller capacity, the crowd was lively and fun, so thank you Crawley. More of the same tonight. Met with some Israeli mentalists after the show (no, not Geller…) who were just delightful. And a very charming interview before the show: thank you Nick.

Currently stuck in traffic on way to Crawley. if I don’t make it in time, Iain has instructions to go on with an armchair and Sarah The Talking Ram.

ttfn
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Sarah The Talking Ram

First debauched video of the tour. This was late in Torquay, and features Sarah, a ram (?) bought from the Marble Museum gift shop, showing off her talking skills. This followed a gigglesome evening in front of YouTube, watching the talking cats and dogs compilation you’ll be no doubt familiar with (if not, watch first, otherwise this will be even more pointless). Iain donned Sarah, hid behind the chair and is doing the voice.

This may be a waste of valuable minutes for you in the cold light of day, but at the time we nigh on wat ourselves.

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Torquay again

As imagined, a very couply audience, and rather quieter. Last night (Sunday) was the best show yet.
Today Iain, Jen, Simon and I went to the Marble Museum around Newton Abbott, and then for a drive across the moors to Widecombe, a village made entirely of gift-shops, for a great lunch. The Marble Museum is fun, though again more gift shop than marbles, and contains a number of astonishing runs built by Swiss artist Alex Schmid. Plenty of gifts bought for crew.
Rather full and snug following this afternoon’s gammon steak/toffee pudding, but will try to summon energy for the last night in this lovely place.

Must now begin the nightly steam-inhale-session. Looking forward to tonight.

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Torquay Enigma Tickets Winner

Enigma

Congratulations go to Olivia and Harry who have won 2 tickets to see Enigma on Monday!
We hope you both enjoy the show :)

Apologies to all that missed out this time, but keep your eyes on the blog for more chances.

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