Posted in Blog

Posted by Derren Brown February 7, 2014 at 6:44 pm

The 2014 leg of Infamous starts on Tuesday in Brighton. It’s all very exciting. If you’re coming to see it, I really hope you enjoy the show – a lot of work and love goes into it. In the past I’ve always done my best to come out to stage door after and sign things and say hello, but this year, the eleventh year (I think) of touring, I’m going to have to stop doing that. This is a big shame, at least for me, as I always enjoy meeting people after the shows and I’m so grateful to anyone who buys a ticket and comes out to see it. The reason is – as some of you will know who have come on nights when I haven’t been able to come outside – my voice. Last year I had to cancel a couple of shows in the West End which is an appalling business, and I’m determined not to let that happen again. For weeks before that, my voice was a mess and I was back and forth to the hospital getting fixed up as well as I could. Looking after my voice is a big part of the show – hence I do a lot of vocal training and the like. And this is the longest tour I will have done. The moment my voice gets tired, I have to go into shut-down mode: no hanging around outside, no talking, a strangely monastic existence until the next show begins. The result last year was that on about, I don’t know, a third of the tour dates I couldn’t go out afterwards. Whereas I used to find 10-20 people and I would spend proper time having a nice relaxed chat, the numbers are now more like 60-100 people, which is amazing and wonderful, but I can no longer chat and sign AND be sure to keep my voice in shape for a six month tour of a two-hour one-man show six nights a week.

I apologise hugely to anyone who was hoping to say hello. I hope you’ll understand even if it’s a bit disappointing. There’ll be some who for whatever reason will be unable to summon any understanding, and will treat this as me just ‘not being bothered’. Most times I’ve apologised in the past for not coming out to sign, I’ve read similar comments telling me I’m just selfish and lazy, and that I owe it to my fans to spend time with them afterwards etc. That’ll happen again of course, and there’s not much I can do other than offer this explanation and apology. I promise that in the past I’ve spent far more time after shows with people than any other performer I know. This isn’t a lazy choice, and the thing I definitely do owe to fans is to put on the best show I possibly can, which is what this is about preserving. Any of you who work in theatre will already understand how this voice business is, and I hope any others of you who had hoped to say hello will understand too. And above all that you enjoy the show.





Posted in Derren's Posts

Posted by Derren Brown November 13, 2012 at 9:50 pm


Below we have a lovely Q&A by that young layabout from Derren Brown: Apocalypse (YEAH, DERREN BROWN: APOCALYPSE NOT STEVEN BROSNAN:APOCALYPSE THOUGH YOU’D NEVER GUESS IT WOULD YOU?). Steven asked his now roughly 15,000 followers on Twitter to send in any questions they wanted to about his experience and he has answered the most common ones below. I’m posting it here for him exactly as he wrote it, as he doesn’t have a blog.

Meanwhile, part 2 of Fear and Faith – and the final instalment of this year’s television from your occasional blogger – happens this Friday at 9.




I sent out a tweet asking if there was anything you felt that was unanswered, I’ve answered a few of the most popular questions to try and help ease your understanding.


Why didn’t you attack the ‘infected’?

I get asked this the most. You have to remember that this is not a Hollywood movie, I’m not Bruce Willis. This was real and I’m not a violent person. When watching the news report, they said the infection could be passed by any form of contact. I wanted to avoid any possible interaction with the ‘infected’ and stay as far away from them as possible and fortunately there was no situation in which I had to defend myself or anyone else from them.


At any point did you think it was fake?

No, everything I went through I was fully immersed in what I was doing. I was in the middle of an apocalypse and I was trying to get back to my family in Wales before the border shut.


Are there any negative effects?

There are no negative effects what so ever. No nightmares or flashbacks. Everything I have gained from this event in my life has been positive and I’m glad I went through it all to change me into the person I am now.


Were you angry at the reveal?

No not at all, relief and happiness were the main emotions going on when everything was revealed. Looking back on my experience I have no regrets or bad feelings towards anyone involved.


Did you ever think of giving up?

No, not at all. The biggest thought in my mind was getting to Brecon.


What did Derren say to you on the phone to make you fall asleep?

I don’t know, simply put. Last thing I remember is picking up the phone off the table.


What was your scariest moment?

Definitely encountering my first ‘infected’ in hospital.


What did I think of the infected?

I was ruddy scared of them, but when they weren’t scaring me I did feel kind of sorry for them, not knowing fully what they were and thinking I wouldn’t want to be one of them.


What was it like watching myself?

It was a little weird, as I watched I could feel the same emotions from when I was there. But overall I was quite comfortable with it.


Did you find anything embarrassing?

Yeah of course, think it’s embarrassing when one person catches you picking your nose? Try a whole nation, I laughed it off though.


What did I eat and drink?

There was tons of canned food in the bunker, and plenty bottles of water.


Where did I go to the toilet?

Surprisingly popular question. In the program you can see a row of portable loos to the right of the bunker entrance, that’s where I went.


Was there anything they didn’t show?

Yeah I made a few hilarious jokes which never made the cut. But as you could imagine with almost 2 days of filming me there was a lot of footage and with only 2 hours to show it, they can’t have everything in there, really though there was nothing extra I wish they could have put in, the editing team did a great job.


Is my bedroom tidy now?

My bedroom is incredibly tidy now; it’s hard to have a clear mind with a dirty room.


Did you ever get to see The Killers?

Yes! I did! They were amazing! Derren and the team were very kind and managed to get some tickets for me. I was very wary of getting on any busses this time though.


Posted in Derren's Posts

Posted by Derren Brown November 11, 2012 at 7:35 pm

Steven Brosnan talks to Carlotta Eden about his night-terrors, sexual dysfunction and zombie-flashbacks in his first published interview since Apocalypse. Interview here.




Posted in Derren's Posts

Posted by Derren Brown November 3, 2012 at 5:38 pm

We all survived. Steven is a finer Steven than before: despite a week of negative Twitter speculation reported disingenuously in the Sun, he really did do it and he really is a better man for it. For those wondering what has happened to him since, Steven now works as a teaching assistant in a special-needs school, a job he finds much more rewarding than the series of positions he held before. And I think in time he’ll make an excellent teacher. For now he’s keeping his Twitter and FaceBook set to private, but I’m sure before too long he’ll open them up and you’ll be able to ask him about his experience.

The show was, as many of you spotted, The Wizard of Oz with zombies. Our Dorothy (you’ll have noted the Kansas Autos sign on our mechanic’s van who visits Steven’s house) did not seek a place over the rainbow, but nonetheless had to learn that there is no place like home. With some extra motivation and carpe diem thrown in: L. Frank Baum’s message that you don’t need to go looking anywhere further than your own back yard always struck me as a little limiting. After the tornado/apocalypse, our Dorothy encounters Leona – of course a cheap play on ‘lion’ – to discover courage and responsibility, a scarecrow (Iain) who becomes indecisive and necessitates a new alpha-male in the group, and a tin-man (Danny) who, having no heart, makes it necessary for Steven to find his own. The Yellow Brecon Road awaits to take Steven to salvation, but it is Oscar Zulu from Emerald Communications – the wizard (ahem) behind the curtain – who provides the noisy, army equivalent of his hot air balloon to take them away. You’ll have spotted the graphic on the side of the helicopter. Like Dorothy, Steven is left behind: before he can return home he has to say what he has learnt from his experience, and what he has known all along. Which he does, movingly, in the video tape he makes for his family. To encourage this moment, we had him see the others do the same and held the camera held back from him until he was ready. That done, and his lesson learnt, cue the deus ex machina of the phone call (I know now I should have floated down in Glinda’s bubble for absolute authenticity) and he’s magically transported back home to a life now dramatically reassessed.

Writing a show with an unscripted, unwitting central character is a strange and demanding task. My co-creators Iain Sharkey (himself a freaked-out participant in my Séance programme many years ago where we first met) and Stephen Long worked on the idea with me in the first instance, before Mark Gatiss got involved to help find possibilities for narrative. The massive bulk of the extraordinary writing task was then shared by Iain and a gifted, lovely writer called Ben Teasdale, both of whom gave heart and soul to the project. Sharkey can be seen starring as the first we see of the ‘infected’, behind the window in the red tag building. His condition of butt-nakedness-save-for-a-backless-hospital-gown was sadly lost in the gloomy lighting of the sequence, but I’m sure it added to Steven’s growing sense of deathly horror.

For my production team to make it all happen took a level of dedication and love almost unheard of in the industry. Working 30 days without a break, spending nights awake in Steven’s shed waiting to pull a plug to his television, they were stretched beyond anything one would expect anyone to put into making a television show. Samuel Palmer and Dave Struthers in particular – both brilliant and talented core members of our little family – deserve special mention here. Dave’s Twitter feed over the last week was a tirade of fury at the glib, uninformed assurances of fraud after the endless work he and Sam put into the hugely demanding job of secretly filming Steven over such a long period of time. I bow to the extraordinary level of commitment and resolve shown by the whole team, who were bonded above all by a desire to do right by Steven. It was a formidable show to make.

And it’s not over yet. Next week brings two more shows under the banner Derren Brown: Fear and Faith. In part one, airing this Friday at 9, we follow the first members of the public to take a wonder-drug, developed for the military, that completely eradicates the experience of fear. It was another astonishing journey. I hope you enjoy it.


Posted in Derren's Posts

Posted by Derren Brown October 29, 2012 at 5:00 pm

I tweeted for any questions about Apocalypse. As imagined, with over a million followers the response was very enthusiastic, so I’ll answer the most repeated questions and address a few points as best I can. Thanks everyone who submitted questions.




Iain Sharkey and Stephen Long, my co-writers and I, sat around playing with ideas. It seemed to good to be doable – too big, too expensive, too unproducable – but my brilliant production team managed to make it work with very little compromise. And once we knew we could do it over two parts, we were able to then really try and write it like a horror film. Mark Gatiss came on board to help in the initial stages of the post-apocalyptic story, and a brilliant writer called Ben Teasdale worked closely with Sharks throughout the process to get the final narrative in place. It was, as they say, sooooooo exciting.




Despite conspiracy theories and rumours online, Steven is not a stooge, or an actor, or in any way just playing along. Same goes for his family and friends that you see in the programme. They’d all have to be actors too. And all his REAL family – and anyone that knows him – taken away and quietly killed. My shows always provoke a flurry of people insisting it’s all fake, and I’ve come to expect that – exhausting and hurtful though it can be after months and months of love and sweating blood to make such massively ambitious and heart-felt programmes.


I have never, ever used stooges or actors in that way. It’s artistically repugnant, lazy and just unnecessary. And impossible to pull off, as anyone that knows him would of course be able to say so. We spent months setting up Steven’s experience, getting his family on board, and spending a vast sum of money making it as convincing as possible for him, and all our efforts making sure that he experienced a real transformation. To fake all of that with an actor would be pointless. A few theories have sprung up online – firstly that he is a working actor who has appeared in a comedy ad. I’ve seen the ad – that is not Steven. That is an actor with dark eyebrows who does look hilariously like him, but isn’t:

Annoyingly similar: but not the same guy. Left: Steven Brosnan (now a teacher) and family. Right: Karl Greenwood (actor who starred in a noodle ad.)


Others have found a picture of Steven with Adam Buxton taken four years ago when Adam was filming a pilot in Steven’s home town. Steven was an audience member and had his photo taken with Adam. Standing with an actor in a photograph does not make you an actor. Adam says “He was not an acting in the pilot. He was in the audience.”


Lastly, concern has sprung up in some quarters because Steven had a profile page on a popular casting site where a lot of people of all ages put themselves up for extra work and crowd/audience stuff for TV shows (this was NOT how we found him but a lot of people sign up hoping to be on TV). He has since changed/tried to remove his profile as he was upset at the negative attention from people who took it to mean he was actually an actor.


We have received this comment from Simon Dale who runs Casting Call Pro, the website in question:
“We’ve seen the rumours that a person on Derren Brown’s show is an actor, and all the tweets etc. surrounding it, and the media reporting of it.”
“Steve Brosnan is not, as far as we are aware, a professional actor. He created a profile on our site but never completed it, and didn’t upload any professional acting credits or a professional acting headshot – and so his profile was never ‘live’ on our system as he didn’t meet our joining criteria (i.e. he didn’t have professional acting training or experience).”


Aside from an ‘ensemble’ school production he has never, ever, ever acted. Even if he returns to this early interest in the future (his brother works as an occasional actor so it’s possible he might), it won’t mean he was acting in this show.


All the people who take part in these shows are 100% real. Matt Galley, from Hero at 30,000 ft had similar accusations of being a stooge, from similar conspiracy-driven quarters after his show. Part of the pity of these rumours are that it’s always hurtful for the participants involved who have been through an emotional, transformative experience, are feeling really good about themselves and have been looking forward to the show going out. It’s horrible.


Steven was chosen from thousands who applied to be part of the show, as we explained at the start. He was chosen because he was suggestible enough to allow me to put him asleep quickly, fit our desired profile of someone who took his life for granted, and yet was likeable enough to carry the show – a rare combination. His mum, dad and family are all real too. They are a family living in Buckinghamshire.


On another note – it simply wouldn’t be permissible now to pretend someone was a real member of the public if he or she was acting. Misleading the public in a TV show is a big deal, and a massive lie like that wouldn’t be permitted by the channel. But that’s beside the point: I just don’t use actors in that way. These stunts are not faked. You can just enjoy the show.




No. I knew it would all work out very well, be worth the ride, and that it was important he go through something very emotional to get there. It’s quite an intense experience watching him in the truck through the monitors: it’s impossible not to feel a strong sense of attachment. I think our first moment of ‘Wow, this is really happening’ was when he woke up and was watching the army broadcast we had created. But no guilt – plus I’ve gotten used to the residual background feeling that I’m probably going to hell.




There was no need to. The initial meteor shower, as explained, was real: the second nastier wave of asteroids was invented, but it didn’t become a serious threat (and therefore anything that other people should have known about) until he was on the coach.




Steven was filmed in his post-apocalyptic world for a long weekend. Everything is crunched down to tell the honest story in the short TV time we have. The ambulance journey, for example, you see in the first episode, took over half an hour (during which Iain came in and out to assure them all was ok, allowing us to keep a check on Steven’s welfare). We needed them to keep driving while we ensured that the next location was all set up. When things get crunched down, and sometimes shots are switched around by the editor, little glitches in continuity may occasionally occur. They may delight those who for some reason are determined to pick through every moment to find fault, but they mean nothing other than some time has probably been cut out or very occasionally a different shot has been used for some technical reason. When trying to tell a 48 hr story filmed with hidden cameras in just over an hour, it’s likely to happen.


Big chunks have been lost for time while we’ve tried to preserve all the action. I’m really hoping that if/when this comes out on DVD we’ll be able to include the ‘making of’ and some unseen footage as DVD extras.




It’s always a possibility, but people are generally very good at not spoiling it. His family wanted to see a change so had the motivation to keep it a secret, and his friends were up for it too. When we choose the person to use, we also vet family members and anyone else we need to bring in to make sure there’s no one there that might concern us from that point of view. So far, fingers crossed, it’s never happened.




Not completely from scratch, no. It does look impossibly quick. However, as we explained in the programme, one of the reasons we chose him because he was highly responsive to suggestion, which allows me to get him used (during the audition process) to the suggestion of going to sleep on command. You see him zonked out at the start of episode one, in the auditions. Once that’s in-built, it’s easy enough to trigger off again, weeks or even months in the future. His hyper-alert and confused state following the meteor attack, plus the total out-of-context surprise of my voice and person being suddenly present, really help too. There was no way we could start and finish the stunt without putting him to sleep on those occasions, so it was necessary to get him conditioned to this early on.




We removed everything that he could have feasibly used as a weapon, and controlled those scenes very carefully so that he would have neither the motivation nor the chance to do so. The whole idea, remember, was not to get close to them for fear of contact or contagion. Attacking them would be the last thing you’d want to do. Plus of course the actors knew to control him if anything like that happened.




Of course. Watch to the end of the show this Friday. We vet our participants – using independent experts – very carefully to make sure they’re robust enough for this kind of thing, and we had medics and a psychiatrist watching him 24hrs. We take our duty of care very seriously.




I get this one a lot. Such committees exist only for clinical experiments. For TV, there are lawyers and health and safety people who of course must be involved. We make sure that they are happy, and the lawyers are involved in all stages of the show to make sure the viewers aren’t misled and that everything is above board. We take every possible care to ensure that our guy will be okay throughout the process and after, and the C4 lawyers and independent psychologists we have on board are a big part of that. He is carefully taken through a powerful experience that brings him to a much better place – the result is a hugely positive one for him. In many years of making these sorts of things happen, people have always been exhilarated and delighted. No-one has PTSD or flashbacks or any of the other things I get asked about, as it’s always a hugely positive, much-valued, hopefully life-changing experience for them.




Again, you should watch Ep 2 to see how he turns out. But I don’t end my involvement when the show is over. I have kept in close contact with Matt Galley from Hero, and the same with Steve. It’s important to me that these shows do the job they’re supposed to – plus after becoming so attached to someone during the process it’s hard to just thank them and walk away. These people end up becoming my friends and that’s part of the joy of making the shows. And yes,we were all affected by the show one way or another – it was quite emotional for all of us watching it in the truck. But, you must see it through to the end.


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