I arrived at Bristol to find a note in my dressing room from Dara O’Briain wishing me enjoyable shows with the bright and energetic crowds of Bristol. And he was very right in his description. Bristol is famously a great house to play: the roar when I came on stage was long and deafening, and audience and participants alike were fantastic. The first night it really took me by surprise and I hugely enjoyed myself. The second night, the adrenalin wasn’t there so much and I think I was a little under par, and then the third was good fun again.

We stayed in the wonderful Hotel Du Vin, which kicks the ass of any other hotel on tour. Impeccable.

Friday we went to the Zoo and had a great tour day out. Saturday was tea round at Peter Clifford’s, whom some of you will know from The Devil’s Picturebook and The Heist. Others of you may know my dear friend from his roles in the stunningly good Shakespeare at the Tobacco Factory seasons. They’re about to do The Tempest and Midsummer Night’s Dream in the gorgeous Tobacco Factory theatre where I got started, so do go along if you can. It was a wonderful stay in my beautiful University home.

We are now in Eastbourne. It’s a very different crowd, but the shows have been good so far. A good friend has come over from the States to see the show (and Andy’s Ghost Stories) and today we had a bloating pub lunch in the nearby village of Alfriston, which I may have spelt correctly. Our hotel is a stranger to wi-fi, so I have been slow on blog entries. I type this, as I tend to tweet, face down in a steamer sat in my dressing room.

Excitingly, I am trying out something new in the show. It’s a new ending to one of the pieces that felt like it needed it. It’s really enjoyable to let it settle in and make these sorts of changes. Keeps one on ones tootsies.

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